Courbet, Gustave
Ornans (Dombes)
1819
- Tour de Peitz (Switzerland)
1877
Biography & List of works
Le Lac Léman et les Dents du Midi
Medium: Oil On Canvas
Size: 73.5 x 92.5 cm (29 x 36.5 in)
Signed: Signed lower right: G. Courbet
Literature: To be included in the forthcoming supplement to the Courbet catalogue raisonné by Jean-Jacques Fernier (letter 19 July 2007) as Oeuvre de la main de Courbet, with a date of 1877; Sarah Faunce (Courbet Catalogue Raisonné Project) confirms in a letter dated 7 December 2006 that she will included the painting in her forthcoming catalogue raisonné on Gustave Courbet.
This painting is part of a series of views of Lac Léman executed by Courbet in the last year of his life, when he worked from a studio in La-Tour-de-Peilz, a small Swiss town on the lake shore. Courbet moved to exile in Switzerland as a result of his involvement in the Commune uprisings of 1870-71 and subsequent imprisonment. Following a new trial in 1873, which led to the seizure of his property as damages for his role in the destruction of the Vendôme column, Courbet left France permanently, fearful of another prison sentence.
Courbet purposefully chose to settle in a location that was close to, and reminded him of, his home town of Ornans in the Jura mountains; his late landscapes thus return to themes he created in happier times. This is particularly noticeable in the treatment of the rocks on the right and in the foreground, which are painted with thick, confident strokes, and lend them a palpable sense of mass. These present a striking contrast to the glacier-coloured turquoise waters of the lake.